Carl Orff's music as an expressive complement to the myth
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Abstract
The current essay will expose briefly an extramusical feature in the work of the german composer Carl Orff: an accompaniment of the myth in the expression of his work, same that, should be said, is based in the rythm as an overriding element to reaffirm this ancient understanding of the world, once that Orff difined his style in the conjugated use of those characteristics.
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Universidad Michoacana de San Nicolás de Hidalgo, Coordination of Scientific Research, Av. Francisco J. Mújica, Building "C-2", Ciudad Universitaria, Morelia, Michoacán, México, C.P. 58030. All rights reserved. The content of the articles is the responsibility of the authors and does not necessarily reflect the opinion of the editors. The reproduction, publication, transmission, dissemination in any mode or medium of any part of the material contained in the file (text only without images) is permitted without altering or modifying the original, for reference and/or reproduction, academic or educational purposes, with the exception of personal or commercial ones, citing the reference source and granting the corresponding credit to the author and the editor. If this is the case, please send us a copy.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International License.